The inherent beauty of Natural veneer lies in its ability to showcase the natural grains, textures, and patterns of different species of wood.
V001 – BEECH QUARTER
White-reddish to reddish-brown, often forming a brown core with age.
In some areas, beech tends to have high tension, often also waviness during veneer production due to irregular annual ring formation (so-called hard years).
Common dark spots and splashes reduce the value.
Description
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V009 – MAPLE CROWN
One of the most common furniture woods in the USA.
In recent years, hard maple has also gained a foothold in Europe as a furniture wood, especially as a "replacement wood" for pear, alder or maple in unsteamed white or muted pink tones.
Due to its abrasion resistance, it is also used as a hard-wearing parquet wood in gymnasiums, etc.
Turned as spools, shuttles, or billiard cues.
V014 – WALNUT QUARTER
Highly sought-after and considered high-quality furniture wood for interior design and high-end furniture construction.
Due to its high strength and elasticity, it is also suitable for chair and seating furniture production. Particularly used for gun stocks and aircraft propellers. Traditional wood for piano and grand piano construction.
V022 – WHITE OAK CROWN
White oak is universally applicable in all areas of the wood-using industry because it is very resistant to external influences.
It is highly valued in the veneer and sawn timber sector due to its expressive structure.
In the USA it is of great importance as barrel wood (whiskey).
It is used as veneer and sawn timber in all areas of the furniture, door, and panel industry as well as the parquet and staircase industry.
V033 – LACEWOOD
Has a very conspicuous flecking that gives this wood its namesake.
The wood itself is a reddish brown with grey or light brown rays, which result in a lace pattern when quartersawn.
Like other woods that exhibit the strongest figure in quartersawn pieces, (such as Sycamore),
Lacewood has the most pronounced figure and displays the largest flecks when perfectly quartersawn;
this is due to the wood’s wide medullary rays, whose layout can be seen the clearest when looking at the end grain.