V053 – KNOTTY PINE
The heartwood is light reddish when fresh, but darkens quickly to the color of the Scots pine when exposed to light and air.
It is characterized by the numerous, firmly grown branches that do not break when cut.
This makes this wood extremely decorative for interior design.
Categories: Natural Veneer, Wooden Veneer
Description
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Related products
V002 – RED OAK QUARTER
V004 – MAPPA BURL
V009 – MAPLE CROWN
One of the most common furniture woods in the USA.
In recent years, hard maple has also gained a foothold in Europe as a furniture wood, especially as a "replacement wood" for pear, alder or maple in unsteamed white or muted pink tones.
Due to its abrasion resistance, it is also used as a hard-wearing parquet wood in gymnasiums, etc.
Turned as spools, shuttles, or billiard cues.
V012 – SYCAMORE QUARTER
V013 – EBONY BLACK
It is used in the craft of carvers and sculptors.
It is also very important as veneer and solid wood and in the construction of musical instruments
(e.g. wind, plucked, and string instruments).
In the veneer sector, Ebony is only used in the high-quality project, ship, and aircraft interior fittings
due to its extravagant beauty and high price.
Since each trunk has a different pattern, the products made with them are extremely individual and unique.
V014 – WALNUT QUARTER
Highly sought-after and considered high-quality furniture wood for interior design and high-end furniture construction.
Due to its high strength and elasticity, it is also suitable for chair and seating furniture production. Particularly used for gun stocks and aircraft propellers. Traditional wood for piano and grand piano construction.
V023 – WALNUT BURL
V033 – LACEWOOD
Has a very conspicuous flecking that gives this wood its namesake.
The wood itself is a reddish brown with grey or light brown rays, which result in a lace pattern when quartersawn.
Like other woods that exhibit the strongest figure in quartersawn pieces, (such as Sycamore),
Lacewood has the most pronounced figure and displays the largest flecks when perfectly quartersawn;
this is due to the wood’s wide medullary rays, whose layout can be seen the clearest when looking at the end grain.
