V062 – OLIVE-ASH
used as decorative veneer for interior design.
Extremely decorative; characterized by an interplay between dark and white annual ring zones, in contrast to the brown ash, which lacks the white annual ring zones.
Categories: Natural Veneer, Wooden Veneer
Description
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Related products
V011 – PADUK VENEER
V012 – SYCAMORE QUARTER
V013 – EBONY BLACK
It is used in the craft of carvers and sculptors.
It is also very important as veneer and solid wood and in the construction of musical instruments
(e.g. wind, plucked, and string instruments).
In the veneer sector, Ebony is only used in the high-quality project, ship, and aircraft interior fittings
due to its extravagant beauty and high price.
Since each trunk has a different pattern, the products made with them are extremely individual and unique.
V016 – ROSE WOOD CROWN
The heartwood is yellowish, irregularly veined with reddish veins, striped or spotted, and fades when exposed to light and air, but is nevertheless very decorative.
Due to the small diameter, it is often flawed and has cracks in the heart, so it is only suitable for small furniture and inlaid furniture, and rarely for interior design.
V022 – WHITE OAK CROWN
White oak is universally applicable in all areas of the wood-using industry because it is very resistant to external influences.
It is highly valued in the veneer and sawn timber sector due to its expressive structure.
In the USA it is of great importance as barrel wood (whiskey).
It is used as veneer and sawn timber in all areas of the furniture, door, and panel industry as well as the parquet and staircase industry.
V024 – MAHOGANY CROTCH
V031 – PINE CROWN
V033 – LACEWOOD
Has a very conspicuous flecking that gives this wood its namesake.
The wood itself is a reddish brown with grey or light brown rays, which result in a lace pattern when quartersawn.
Like other woods that exhibit the strongest figure in quartersawn pieces, (such as Sycamore),
Lacewood has the most pronounced figure and displays the largest flecks when perfectly quartersawn;
this is due to the wood’s wide medullary rays, whose layout can be seen the clearest when looking at the end grain.
