V124 – POKLIA

Poklia Veneer is notable for its light to medium brown color, often exhibiting a warm, inviting hue that can complement various interior designs. The grain is typically straight to slightly interlocked, adding a subtle visual interest without overwhelming the overall aesthetic.

V123 – CHESTNUT VENEER

The heartwood is yellowish to dark brown and resistant to fungi but not insects. The wood is not weatherproof but is very durable in water. Because of its somewhat dirty coloring, it is not very important for veneering in Europe. In southern Europe (Italy, Spain) it is more commonly used in the mass-produced furniture sector.

V122 – OLIVE ASH BURL

Mechanical processing of ash is easy and can be carried out with all tools. Rough-growing trunks tend to break at planed edges. Surfaces become very smooth.

V115 – SMOKED RED OAK

Veneer wood. Only very good blocks are used as sliced ​​wood. Also rotary cut veneer, furniture, door industry, and construction wood. Paradoxically, red oak is sought after for use as a front veneer in the furniture and door sector.

V109 – SMOKE LARCH ROUGH VENEER

Dark brown to dark reddish brown wood, resin galls, resin nodules, twisted grain, and ring peeling is somewhat problematic for cutting. Mechanically, larch can be easily worked with all manual and mechanical tools. However, the leaked resin can easily contaminate and stick to the tools.

V095 – ASH CROWN

Sapwood and heartwood are barely distinguishable. As the tree ages, a distinctly colored core develops, the diameter of which varies along the length of the trunk. Dark spots may occur, and bars are also common.

V093 – WENGE QUARTER

The heartwood is two-tone, light brown, later darkening to coffee brown to black-violet, similar to rosewood, and is resistant to insects, fungi, and weather. It must be steamed intensively and sliced ​​hot.

V092 – IROKO QUARTER

The uniform yellowish-brown wood is relatively undecorative, but good dimensions and widths are available. It is very resistant to fungi and insect attack, but not completely, unlike real teak. The wood dust from Iroko is considered harmful to health, and in England even carcinogenic.

V088 – TATAJOBA

Tatajuba-Extra Veneer features a distinctive appearance with a golden yellow to deep brown color that can darken over time. The grain is usually straight but can occasionally be wavy or interlocked, giving it a unique and attractive pattern. The texture is medium to coarse, with a moderate natural luster. Tatajuba-Extra is easy to work with, finishes well, and can be polished to a high sheen, making it suitable for various high-end applications.

V080 – RUSTIC OAK VENEER

Rustic Oak Veneer is known for its classic, timeless appearance featuring a light to medium brown color with prominent grain patterns and natural knots. The grain is typically straight, although it can be wavy or irregular, adding to its rustic charm. The texture is coarse, and it has a moderate to high natural luster. This veneer is easy to work with, sands well, and takes finishes effectively, enhancing its natural beauty.

V079 – PALDAO VENEER

Mainly used as veneer wood, but Paldao can also be used as construction wood in interior construction, for stairs and doors. Paldao is also used for musical instruments. The wood was used for a long time as a substitute for walnut but is now considered a separate type of wood that is often used in interior construction.

V071 – FRAKE LIMBA

Color varies greatly from region to region. Limba from the Congo has the desired light yellow color; wood from the Ivory Coast region (Frake) can even be black-brown. Limba is the dominant wood species in southern Congo and is exported from there in significant quantities.